Clip the highlight and shadows to 0.02 percent of the image pixels but keep the colors neutral to a grey I sampled for this lighting in the preparation. Tweak the curves using some knowledge of the film I'm scanning. Process the colors from the scanner using a color profile I made from a Wolf Faust calibration target. Don't bother with a preview pass to determine exposure, I already determined the maximum exposure using a piece of the unexposed lead/tail. Once you know your way around the settings you can easily set it up to say "When I insert the negative carrier focus and scan each frame. It's main raison d'etre is that it's cheap. I've tried it, but find it lacking compared to Silverfast - a very small operation by comparison. Vuescan has a lot of capabilities, and as with Silverfast, you are not tied to Windows XP for older scanners. The learning curve is steep, but once you get it, upgrades and new scanners are easy to master. It is a deep program, and most of us only use a few of its capabilities. I have used it for nearly two decades with a variety of scanners, both flatbed and film (Nikon), with good results. It also provides a common working surface for all compatible scanners, but you have to buy a new package for each scanner make and model. Silverfast is color managed, and some versions come with calibration software and targets for transparencies. It is not, however, a color managed product. The latest version is a bit cludgy in naming files, but serviceable. Epsonscan is a good, working-class piece of scanning software, the best of all the manufacturers' programs I've used.
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